Transformation - Lamborghini commission Steve DiPaola, as a pioneering computational and AI artist, was specifically commissioned by supercar company Lamborghini to produce an artwork to commemorate their upcoming 60th anniversary. Lamborghini has a long standing history of commissioning fine artists both for their museum but also to support modern art at events like
Body as Border: Traces and Flows of Connection
ilab2022-07-10T20:29:41+00:00Body as Border: Traces and Flows of Connection Body as Border: Traces and Flows of Connection is a 32 minute immersive, large-scale generative video projection created specifically for the Urban Screen at Surrey Art Gallery in response to the global crisis of covid-19, and, how it draws attention to the idea of the
white clouds in blue sky
ilab2022-07-10T20:35:44+00:00white clouds in blue sky white clouds in the blue sky is a three-channel 30 meter projected video installation by Steve DiPaola, Kate Hennessy, Trudi Lynn Smith. The work juxtaposes a performative engagement with the materiality of gallery refuse with the poetics and politics of machine vision. Hennessy and Smith methodically construct a sculptural
Lockdown Portraits
ilab2022-07-08T06:07:59+00:00Lockdown Portraits Portraits paintings created during 2020-22 lockdown of peers, friends and family via my request for them to take a selfie of them in lockdown with a statement of their current feelings. I then attempted to both honor those feelings but also bring out my memory of them into the selfie to
Fractured Perspectives: Movement and Light
ilab2022-07-08T06:16:38+00:00Fractured Perspectives: Movement and Light Fractured Perspectives: Movement and Light – a multi camera and 360 degree camera, AI abstraction, dance, movement, spacial performance art video. by Cuykendall, DiPaola, Muntean & Sun. In this era of multiplicity, fractured traces of ourselves and others become ghostly whorls of past, future and present times. In
Pareidolia
ilab2022-07-08T06:08:09+00:00Pareidolia Pareidolia 2019 — 2 channel video: 7 minutes, 8 seconds ( commissioned - installed for over 1 year, 2 phases) VIDEOS: horizontal monitor video (lower resolution) vertical monitor excerpt (lower resolution) "The art of Steve DiPaola uses pattern recognition software to reconfigure the world around us. Similar to the efforts
The Real, the Virtual and The We
ilab2022-07-08T06:08:22+00:00The Real, the Virtual and The We The Real, the Virtual and The We — is an interactive performance and two channel video installation that explores questions of human connection in a world mediated by digital technologies. This live dance + video + AI performance re-imagines Lygia Clark’s original 1967 performance, The I and
Kraftwerk – Nam June Paik
ilab2022-07-08T06:08:33+00:00Kraftwerk - Nam June Paik With Director Rebecca Allen and team created visual material for the German group Kraftwerk including the album Electric Cafe and award-winning music video, Musique Non Stop. State-of-the-art facial animation software was developed to bring the virtual mannequins to life. Credits: DiPaola, Rebecca Allen (Director), Kraftwerk, and NYIT team. — The work is
Bring Out the Ghosts
ilab2022-07-08T04:48:37+00:00Bring Out the Ghosts This 3 video projection installation takes as its starting point perhaps one of the most clichéd forms of the digital age — the social media selfie. Using generative algorithms that iteratively expose their ghost-like ambiance, this work pulls away the veil of personality to reveal ghosts within the representational form. This work uses one of most traditional art forms –the portrait – as
Darwins Gaze
ilab2022-07-08T06:08:55+00:00Darwin's Gaze Project Website: www.darwinsgaze.com One of the earliest one person AI art shows, toured the world 2008-2011. A conceptual piece that evolves a related family of abstract portrait painters. Portraits are created by Darwinian evolution using the AI programming technique called Genetic Programming. Using the painting of Darwin by John Collier as